#MyHauntedHouseScore

Wake up with Shakespeare's star-crossed lovers. *experience this at the highest quality possible, with headphones on your phone or tablet (in "magic window" mode on YouTube app) or in a VR headset!* ​Our Shakespeare VR project puts you at the heart of this iconic scene from Romeo & Juliet​ On the morning after their secret wedding, Romeo and Juliet risk everything to hold each other just a little bit longer. Little do they know that the storm is about to break and their first night together will be their last. Cast Romeo - Jay Saighal Juliet - Paksie Vernon Music - Tom Adams www.tom-adams.co.uk Producer - Relative Motion Creative Director - Christopher Lane Production Director - Chloe Miller Smith Technical Director - Andy Purves Digital Asset Design - Andrew Madden Sonic Branding - Joe Louis Robinson Special Thanks to - Henry Stuart and Visualise Max Peters at CentrE17, London Supported by: Arts Council England Heritage Lottery Fund Waltham Forest Catalyst Grants Website: https://www.relativemotion.co.uk/ Facebook: https://www.facebook.com/RelativeMotion Twitter: https://twitter.com/Relative_Motion Instagram: https://www.instagram.com/relative_motion #VR #virtualreality #shakespeare

*experience this at the highest quality possible, with headphones on your phone or tablet (in "magic window" mode on YouTube app) or in a VR headset!* ​ Edgar is being pursued in a manhunt, framed by his half-brother, accused of planning to murder their father, the Earl of Gloucester. Edgar’s an innocent man. This is the moment in Shakespeare’s King Lear where Edgar decides to evade capture and inevitable execution by pretending to be mad and impoverished - he becomes Poor Tom. VR gives us an opportunity to place an audience member right in the middle of a story. We wanted to see what William Shakespeare could tell us about narrative performance in virtual reality. This is one of three short pieces exploring different relationships between a single audience member (SAM) at the centre of the action and the characters and drama of a scene around them. In this piece, Edgar invites us into his thoughts and feelings in soliloquy - the audience becomes his conscience. In other pieces we explore audience as voyeur and audience as character. We read an interesting article about the theatre industry in a time of lockdown – in the 17th century. Elizabethan London’s playhouses spent more time closed than open because of plague outbreaks in the city. It was during one of these enforced sabbaticals that Shakespeare was reputed to have written King Lear - in self-isolation. In April 2020, at a time when Relative Motion is unable to bring performers and creators together to make new narrative experiences in virtual reality, we decided to dust off some material we captured in 2018 and, with the help of composer Tom Adams, give it a new lease of life. It’s our small contribution to keeping culture alive during quarantine. Edgar: Tom Byrne Black Ops Commander: Gabby Wong Commando 1: Maanuv Thiara Commando 2: Jack Condon Music by Tom Adams Produced by Relative Motion Creative Director: Christopher Lane Technical Director: Andy Purves Production Director: Chloe Miller Smith Special thanks to Henry Stuart and Visualise, Max Peters at CentrE17, London Our Shakespeare VR work was supported by a Waltham Forest Catalyst Grant using funds from Arts Council England and was made with the help of Visualise. Our channel: https://www.youtube.com/channel/UCc5IySUN4XF3BZIGU3STH3A Website: https://www.relativemotion.co.uk/ Facebook: https://www.facebook.com/RelativeMotion Twitter: https://twitter.com/Relative_Motion Instagram: https://www.instagram.com/relative_motion #VR #virtualreality #shakespeare

Have a cheeky chat with Rosalind and Sylvius deep in the Forest of Arden. *Best viewed at highest quality possible, with headphones on your phone or tablet (in "magic window" mode on YouTube app) or in a VR headset!* Our Shakespeare VR project puts you at the heart of this iconic scene from As You Like It Live the story as you take on the role of Phebe (spelled as Shakespeare intended) in this quirky, gender bending comedy. ​As Phebe , you scorn Sylvius, your ardent admirer. A passing Rosalind (disguised as the valiant Ganymede) stops to defend Sylvius and set you right. Cast Rosalind - Gabby Wong Sylvius - Maanuv Thiara Phebe - You Andy Purves - As Himself Music - Tom Adams www.tom-adams.co.uk Producer - Relative Motion Creative Director - Christopher Lane Production Director - Chloe Miller Smith Technical Director - Andy Purves Digital Asset Design - Andrew Madden Sonic Branding - Joe Louis Robinson Special Thanks to : Henry Stuart and Visualise Max Peters at CentrE17, London Supported by: Arts Council England Heritage Lottery Fund Waltham Forest Catalyst Grants Website: https://www.relativemotion.co.uk/ Facebook: https://www.facebook.com/RelativeMotionUK/ Twitter: https://twitter.com/Relative_Motion Instagram: https://www.instagram.com/relative_motion/ #VR #virtualreality #shakespeare

Maverick 16th Century Playwright meets 2020 Technology in Edward II VR *Experience this at the highest quality possible, with headphones on your phone or tablet (in "magic window" mode on YouTube app) or in a VR headset!* THE BARN THEATRE AND RELATIVE MOTION HAS PUT YOU AT THE CENTRE OF CHRISTOPHER MARLOWE’S ICONIC 16th CENTURY LGBTQ+ DRAMA, EDWARD II Edward II Written by Christopher Marlowe Cast Isabella - Georgia Silver Edward - Nathan Ives-Moiba Gaveston - Richard Pryal Creative Team Music by Tom Adams Produced by Relative Motion Co-Produced by Jamie Chapman Dixon for The Barn Theatre Creative Director - Christopher Lane Technical Director - Andy Purves Production Director - Chloe Miller Smith Casting Director - Harry Blumenau Digital Asset Design - Andrew Madden Sonic Branding - Joe Louis Robinson PR - Aeron James The Barn Technical Team - Chris Cleal, Ben Collins, Sami Wood Special thanks to The Fusebox, Wired Sussex and Digital Catapult Supported using public funding by Arts Council England Our channel: https://www.youtube.com/channel/UCc5IySUN4XF3BZIGU3STH3A Website: https://www.relativemotion.co.uk/ Facebook: https://www.facebook.com/RelativeMotion Twitter: https://twitter.com/Relative_Motion Instagram: https://www.instagram.com/relative_motion #VR #virtualreality #theatre

This video is about The Difference Between Us (Clip for Website)

An animated introduction to a play about abuse, performed at the Finborough Theatre, London, U.K. during May & June, 2016. Animation scored by Composer Tom Adams in 2020.

Excerpts from the upcoming collaboration with 'boat-house-theatre'. A micro festival of music, spoken word and film highlighting the vanished community of houseboats on Greatham Creek. 26/27 April Stockton High Street Supported by ARC Stockton

Still photograph shot on 35mm. Composer - Tom Adams